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He has published on topics such as film cognition, evolutionary theories of art, avant-garde film and animation, film sound and aesthetics. Paul Taberham is a senior lecturer at Arts University Bournemouth, United Kingdom. She is an associate editor of Animation: An Interdisciplinary Journal. She has published numerous book chapters and articles on experimental animation in journals such as Moving Image Review & Art Journal (MIRAJ), Frames Cinema Journal and Alphaville: Journal of Film and Screen Media. Her research is broadly concerned with the legacy and evolution of experimental animation in the context of contemporary multimedia practice. Lilly Husbands is a lecturer in Animation and Visual Culture at Middlesex University, United Kingdom. She is on the editorial board of the animation journal Animation Practice, Process, & Production, edited by Paul Wells. Her essays have been published in the books Animated Worlds (2007), The Jewish Graphic Novel: Critical Approaches (2008) and 24 Czech and Polish Animators (2011). She completed postgraduate study in Digital Animation and Visual Effects at Sheridan College, Toronto, and her experimental animated films have won awards at international film and animation festivals.

Miriam Harris is an experimental animator and Senior Lecturer at the Auckland University of Technology, New Zealand. Global in its scope, the book features and discusses lesser-known practitioners and unique case studies, offering both undergraduate and graduate students a collection of valuable contributions to film and animation studies. These interviews document both their creative process and thoughts about experimental ­animation’s ontology to give readers insight into contemporary practice. Acknowledging that process is a fundamental operation underlining experimental practice, the book includes not only chapters by international academics, but also interviews with well-known experimental animation practitioners such as William Kentridge, Jodie Mack, Larry Cuba, Martha Colburn and Max Hattler. Each chapter incorporates a variety of theoretical lenses, including historical, materialist, phenomenological and scientific perspectives. EXPERIMENTAL ANIMATION Experimental Animation: From Analogue to Digital, focuses on both experimental animation’s deep roots in the twentieth century and its current position in the twenty-first century media landscape.